In April and May, I submitted my short story Papier Mâché to Tokyo Writers Workshop in two halves, since it was over the word limit for a single submission. I am thankful to all of the participants for their thoughtful comments on my work. Many of them had not submitted anything themselves, so we were not even trading feedback; these were simple gifts of time and effort. I went through all of the comments in detail. They seemed to disagree on almost every aspect of the story and how I should best deal with it. I made some changes, but nothing as drastic as some commenters had suggested. This felt somehow stubborn, as I have long believed that if a reader has something to say, I should be open to their opinions and question the words I’ve written.

I found this time, though, that after careful consideration of the alternatives, many of my words were exactly what I wanted to say. The more drastic feedback for Papier Mâché would have lost the message I wanted the story to tell. Some also would have changed the voice, which I like. So with confidence I am owning the story.

I am having very similar realizations as I go through the novels I am currently editing (novels 3 and 4): I like much of the content and the major rewrites I had anticipated are not turning out to be so drastic. What both novels are still missing, though, is the careful polishing that takes so much time. That’s what I truly want to own.